![ravi raj krishna bhajan ravi raj krishna bhajan](http://2.bp.blogspot.com/_2ZbJ_7MWICw/SxW7VzEL3wI/AAAAAAAAAjo/YheQ2WM720Y/s1600/raja_ravi_varma_oil_painting_109_radha_krishna.jpg)
Maybe, Krishna struck the strings of his lyre but Radha, lost in his thought, might not have heard it at all, and this might have inspired Krishna to tease her more and more. Except his blue body colour he has merged his identity completely with the Gopi’s.
![ravi raj krishna bhajan ravi raj krishna bhajan](https://i.ytimg.com/vi/xp4yqLqLp-0/maxresdefault.jpg)
As if all this is not enough, for further beguiling her Krishna alternates his peacock feather-crest with an elaborate ‘benda’ – a forehead ornament, and instead of his usual flute carries a vina – a stringed instrument, like Todi Ragini manifesting the mood of separation in love. Krishna, mischievous as he is particularly when inventing ways for teasing Radha, is already standing before her but disguised as a Gopi and, as he had pre-meditated, Radha fails to recognise him not only because he is in a Gopi’s guise or has his face covered with the sari’s end, but also because with her bent head she is able to see only his feet and the sari worn around his legs. The night is advancing and she does not know if he would join her or she shall have to pass the night in this grove of trees all alone save a few compassionate cows as eagerly awaiting Krishna’s arrival.
RAVI RAJ KRISHNA BHAJAN FULL
The full large moon and the colourful nature around make her more miserable. She is unable to raise her head and dispel her disappointment which further aggravates when she thinks how for him she had adorned herself like a bride and had come so far in the night. Radha had brought with her lotuses for Krishna but the same now lie on the ground. Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made her, and Krishna disguised as a Gopi standing before her.